How To Write Fiction That Will Knock Your Socks Off

For years, I’ve dreamed of writing a classic novel. I wanted to be mentioned in the same breath as Bradbury and Twain and that guy who wrote all of the DaVinci Code books. There was just one thing holding me back.

I can’t write fiction.

In the early 1900’s this would mean you had no hope of writing a classic novel. Fortunately for me, John C. Internet was born and would one day craft the invention that would be his namesake.

The internet has millions upon millions of tips from writers. Very few are from successful writers, but a great deal are from writers who think they are successful. Some are even from unsuccessful writers who are living in a deep pool of their own self-loathing. Their advice usually isn’t the best.

I want to be able to introduce myself as New York Times Bestselling Author Nathan Badley whenever I meet people. With this driving my creative efforts, I looked towards this internet advice to turn me into the next J.D. Salinger, but less crazy and reclusive.

First, the internet said that you should never open a story with a description of weather. People don’t like to talk or hear about weather. They don’t like weather reports or the weather channel. Most people even have mixed feelings on the word ‘whether’ just because it is a homophone of ‘weather.’

Knowing this, I found a much better way to start my story.

When Carl awoke, he had no idea what the weather was because his shades were closed.

Perfect! That definitely does not describe the weather.

The next tip was yet another brilliant one. According to this writer, one should never use a word besides said. That means that no one should ever exclaim, shout, holler, bellow, cry, moan, decree, grumble, gasp, etc. To take it one step further, one should never describe how they said anything.

This seemed easy enough, so I was ready to continue.

When Carl awoke, he had no idea what the weather was because his shades were closed.

“Oh no!!!! I don’t know what the weather is like outside!!!! What if the world is ending and I was just in here sleeping?! Oh, woe is ME!!!!” Carl said.

I thought I had done a great job, but the next tip I saw said to use fewer exclamation marks. Since my last paragraph had used 13, I had more work to do.

When Carl awoke, he had no idea what the weather was because his shades were closed.

“Oh no? I don’t know what the weather is like outside? What if the world is ending and I was just in here sleeping? Oh, woe is ME?” Carl said.

When I began writing, I had pictured Carl as a grizzled man in his early thirties. His face was hardened from his years working as rodeo clown and his curly red hair framed his very pale face. This seemed like a very important context for the character of Carl. What if someone thought he was a baby-faced stock broker? That isn’t right and would make Carl’s saga just plain stupid.

Unfortunately, describing the important aspects of Carl wouldn’t be easy. Apparently, people don’t like long character descriptions. That rule seems to go for any character, even very important ones like Carl. With that in mind, I crafted the perfect description.

His face showed his years working as a rodeo clown and he kind of looked like that McDonald’s mascot, Ronald McDonald, but more grizzled and less happy mealy.

Of course, I also learned that the location really wasn’t that important:

Carl looked around the room he was in. It had stuff in it. That stuff was everywhere.

The last tip on the page said to skip the part of the story that the reader would skip. I understood this completely. There are a lot of stories that I skip giant sections of while reading.  I read through my beginning paragraphs to see if I had gotten to that point yet:

When Carl awoke, he had no idea what the weather was because his shades were closed.

“Oh no? I don’t know what the weather is like outside? What if the world is ending and I was just in here sleeping? Oh, woe is ME?” Carl said. His face showed his years working as a rodeo clown and he kind of looked like that McDonald’s mascot, Ronald McDonald, but more grizzled and less happy mealy.

He looked around the room he was in. It had stuff in it. That stuff was everywhere.

As it turned out, every word I had written would be skipped over. That’s not really ideal for a book, let alone a classic work of fiction.

I looked everywhere, but I couldn’t find any advice on what to do if you follow advice and your story idea falls to pieces. I tried rewriting it, but Carl became more Ronald McDonald-like, so I gave up and watched TV. It was ‘The Wonder Years.’ It was pretty good.

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